More twiddling, but this time produced and mixed by Thomas Köner, who adds repetitive pulses to the whole shebang. What a difference it makes. This is incredibly hypnotic.
Everything is filtered and delayed to the same rate as the pulse, so it's almost like listening to the last record through a vibrato effect set on full depth.
Kevin Shields plays treated guitar on this one, so it gets my thumbs up just for that.
Engaging. Keep it for cold winter nights.
No comments:
Post a Comment